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Fri10 Apr05:30pm(15 mins)
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Where:
Muirhead Tower 427
Presenter:
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Following Russia’s full-scale invasion of Ukraine in 2022, the topic of war has been extensively covered by Ukrainian popular music across a range of genres including hip-hop, rock, pop, and electronic. While the issue of language (Ukrainian vs Russian) in song writing was a topic of heated debates in Ukraine even before February 2022, the invasion has taken them to a new level. It has been observed that after February 2022 some musicians switched to using the Ukrainian language in their song writing, while also providing comments on why they saw it as an important move. Some musicians have produced Ukrainian-language versions of their own popular songs that were originally written in Russian (this can be seen in the case of Monatik, who describes his newly released Ukrainian-language versions of his own songs as ‘repaired’). Language-related topics (such as switching to Ukrainian, the pre-invasion listening habits of Ukrainians, and the language of the enemy) are covered by some musicians in their lyrics (for example, Letter to Mother by BARABANDA; Ty B Ne Poviryla by Dity Inzheneriv; Obiymy by Volodymyr Dantes). While the language issue in wartime Ukraine is being discussed by scholars in terms of public attitudes and state policies, it is important to consider how it is narrated and actualised by popular culture.